How to write a Shakespearean sonnet
William Shakespeare, one of the most renowned of all English writers lived during the second half of the sixteenth century. He was a famous poet and play-writer and was instrumental in creating the form of poetry called the Sonnet. Between the years 1592 to 1598, Shakespeare wrote 154 sonnets. Essentially there were three themes that he concentrated on, and they were;
- The shortness of life
- The transience of beauty, and
- Physical desire
While these main elements have been the themes for Shakespeare’s sonnets, a lot of modification has taken place in the course of the centuries to encompass even nature and natural elements. Some notable points that are seen in a sonnet are alliteration, strong imagery and the clever use of metaphors. However, there are some basic features which encompass the science and art of Shakespeare’s sonnet; the outline for which is given in this guide.
Every sonnet is made up of 14 lines. They follow the simple distinction of verse formation such as three quatrains (4 lines each) and a couplet (2 line verse). Thus, there are three verses of 4 lines each and a concluding verse of 2 lines.
Some sonnets follow the pattern of 12 lines followed by a couplet, while some are written with an 8 + 6 line pattern.
Syllable count in iambic pentameter
Each line in a sonnet is consistent. It is composed of 10 syllables each in iambic pentameter, which is, daDUM daDUM daDUM daDUM daDUM.
eg. When forty winters shall beseige thy brow (Shakespeare, Sonnet 2)
An IAMB is a combination of two syllables; one unstressed and one stressed (daDUM).
Scansion is the technique of stressing syllables of words the way they are normally spoken. For eg, words like winter are stressed as WINter, or beseige stessed as beSEIGE.
Hence according to the above mentioned example, [When forty winters shall beseige thy brow (Shakespeare, Sonnet 2)], the line would sound like;
daDUM, daDUM daDUM daDUM daDUM
When FORty WINters SHALL beSEIGE thy BROW
Note: The five stressed syllables fall on the DUM part of the iambic pentameter.
Sonnets follow a particular rhyme scheme which is so evident in almost all sonnets. The end rhymes (full rhymes or half rhymes) follow the pattern ABAB CDCD EFEF GG for the 14 lines of the poem.
Volta is a twist in the sonnet, usually seen in the 9th line or the 13th. It is characterized by the words ‘but’, ‘yet’ or ‘and yet’. Variations of it are now in use. A volta is used to emphasize the similarities and differences in the setting or elements of the imagery.